Tom Friedman
Untitled (2001)

Using a complex mathematical process, Friedman dissected and re-configured 256 small, identical passport-style photographs into a large abstract self-portrait. The individual self-portraits were cut into 1/4-inch grids based on a series of nearly imperceptible 1/64-inch deviations. The 33,072 resulting squares were arranged, one by one, to create a large magnified, out-of-focus mosaic of the original image. Reassembling the photographs took 2 people approximately 575 hours, and was the first time Friedman had worked with any assistants. Like many of his other pieces, Untitled was created through an extremely labor intensive process, suggesting that process is an integral aspect of the work.

Above: Tom Friedman, Untitled, 2001. Created in collaboration with The Fabric Workshop and Museum. 256 identical photos, 40 x 52". Photo: Aaron Igler ... Below: Untitled (detail).

Artist's Process:
Jim Hodges
Every Touch (1995)

Rachel Whiteread
Untitled (Felt Floor) (1997)

Glenn Ligon
Skin Tight (1995)

Tom Friedman
Untitled (2001)

Ugo Rondinone
Lowland Lullaby (2002)

Also See:
Artist-in-Residence Program

How artists-in-residence are chosen

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