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When The Fabric Workshop and Museum was founded in 1977, Marion Boulton Stroud envisioned an organization that combined the activities of contemporary ateliers Gemini and U.A.L.E., where artists are encouraged to experiment with an unfamiliar medium; with the industrial collective Marimekko, which promotes design excellence in everyday objects; and inner-city art education programs like Philadelphia's Prints in Progress, which provides a creative outlet for young people while training them for jobs. Her vision grew to include the establishment of a visual arts organization where the public can witness the creative process and view completed work.

Since its inception, the FWM has developed from an ambitious experiment to a unique contemporary art museum with a significant permanent collection documenting the living history of over 25 years of artistic activity, a highly acclaimed on-site and touring exhibition program, and extensive regional and international educational outreach through tours, apprenticeships, lectures and internships.

Initially, the FWM offered artists and students the opportunity to explore silkscreen printing on fabric. Over the years, the limits of experimentation have been redefined with each artist's residency as new applications, new materials, and new presentations have been explored and created. In 1996, the word "Museum" was added to our name, to reflect the growing collection of contemporary art, and the institutional commitment to presentation and preservation, as well as to production and education. The FWM collection now has over 5,500 objects created by more than 400 artists who have participated in the residency program.

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Image credits: Louise Nevelson with dancers wearing the costumes that she designed for the Opera Theater of St. Louis's 1984 production of Orfeo ed Euridice. Created in collaboration with The Fabric Workshop and Museum